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Yamaha TF-RACK Rack-Mountable TF Series Digital Mixer
SKU
TF-RACK
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The new TF-RACK is a compact rack-mount version of the TF Series, offering the same levels of performance and groundbreaking operability. This space-saving model is accessible to a wide range of users, from beginners to seasoned engineers. The TF-RACK is an unbeatable choice when smooth, intuitive setup and operation is required in limited spaces.
Yamaha TF-RACK Digital Mixer Features:
- All-in-One rack-style digital mixer.
- Inputs: 16 mic/line (XLR/TRS combo) + 1 stereo line (RCA pin.)
- Output: 16 (8 XLR + 8 TRS phone.)
- Channels: 40 (32 mono + 2 stereo + 2 return.)
- Aux Buses: 20 (8 mono + 6 stereo.)
- Stereo Buses: 1.
- Sub Buses: 1.
- Dimensions(WxHxD): 480 mm (18-7/8 in) x 132 mm (5-1/4 in) x 409 mm (16-1/8 in.)
- Net weight: 9.2 kg (20.3lb.)
Yamaha TF-RACK Specifications:
16 mic/line + 1 stereo line Input, 16-Output. Intuitive and smooth all-in-one rack-style digital mixer
TF-RACK offers all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs intuitive user interface, natural control flow, digital effects/processing units and many shortcuts to great sound into a compact, portable rack-style unit.
Scene memory that stores mix settings for instant recall
The scene memory features banks A and B, each capable of holding up to 100 scenes. That's a total of 200 scenes that can be set up and instantly recalled whenever needed. A number of scenes are pre-programmed to give users a head start: scenes with the 1-knob COMP and 1-knob EQ controls engaged for the easiest possible operation, and scenes with the 1-knob features disabled for experienced engineers who might want to follow an established procedure. The banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type, for example.
1-knob COMP & 1-knob EQ: One Knob to Dial In the Ideal Sound
An experienced engineer can do a lot with a compressor: bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. The 1-knob COMP can do all of this quickly and easily, without the need to juggle multiple parameters to achieve the desired effect. Originally introduced in Yamaha analog mixers, the 1-knob COMP quickly became a popular and valued feature. It has now been further refined in a digital version that adds new setup ease and efficiency to the TF consoles. The same concept has been applied in a new 1-knob EQ feature that provides notably improved speed and smooth operation. 1-knob EQ has been painstakingly fine-tuned by Yamaha R&D staff in cooperation with distinguished sound engineers, to ensure that you can achieve outstanding results with minimum effort in the shortest possible time. A Vocal Mode makes it easier than ever to achieve a clear, well defined vocal sound, while an Intensity Mode offers 1-knob “intensity” control over EQ curves you either select from the presets or create from scratch. But there's more: the 1-knob COMP and 1-knob EQ are provided on the output channels too, so you can quickly achieve overall output compression or EQ that ideally matches the room and audience size. The output 1-knob EQ has a Loudness Mode in place of the Vocal Mode, effectively increasing the sound pressure level while maintaining optimum sound as you rotate the knob. Both the 1-knob COMP and 1-knob EQ provide quick access to the full compressor and EQ displays, so you can fine tune settings as required.
QuickPro Presets Provide Instant Access to Pro Sound Setups
The Yamaha R&D team developed a selection of optimized QuickPro Presets for a wide variety of microphones and output equipment by working in collaboration with well-respected engineers and major microphone manufacturers such as Audio-Technica, FitEar, Sennheiser, Shure, Ultimate Ears and Westone Laboratories. With these practical presets even the novice engineer can get very close to the ideal sound, while experienced engineers will appreciate the significant time savings. For input channels we prepared more than 200 presets that range from vocals to drum sets. All the presets were precisely tuned by using a wide range of actual microphones and instruments. For output channels we developed presets for a variety of speaker systems and in-ear monitors with several variations to match different environments and room sizes. All of these can be used as is when time is tight, but they are also great starting points for manual fine tuning. Setups created from the presets or from scratch can be saved as additional presets too. The 1-knob EQ and 1-knob COMP can be used with QuickPro Presets providing a super-streamlined way to tweak your sound. In addition to the onboard presets, new QuickPro Presets will be added to the Yamaha Pro Audio website, so be sure to check for updates.
A Natural Sound Foundation with Extra Creative Freedom
Faithful reproduction of the on-stage sound is the foundation, then creativity can take over. Yamaha's unswerving approach to live sound reinforcement is alive and well in the TF series. The input stage of any console has a notable effect on its sonic character. The TF consoles feature acclaimed D-PRE microphone preamplifiers that not only deliver outstanding quality, but are recallable as well. Circuitry and individual components have been reassessed and redesigned where necessary to achieve extraordinarily pure, natural sound. That solid sonic foundation is backed up by an updated selection of high-performance processors and effects. Input and output channel processors such as EQ, gates and compressors are complemented by eight processors that provide a broad spectrum of creative capabilities.
Recallable D-PRE Microphone Preamplifiers
The TF series consoles feature new recallable versions of Yamaha's acclaimed D-PRE microphone preamplifier. The preamplifiers, or head amplifiers in any console play a significant role in defining the sound of the final mix, so Yamaha engineers spared no effort in developing and refining the D-PRE design to ensure that every nuance and subtlety of the original signal is effectively captured. The circuit is based on a discrete inverted Darlington pair configuration that achieves clean, precise amplification with consistently low noise and distortion at all signal levels. While some microphone preamps are built specifically to impart a unique character of their own, the D-PRE preamplifier has been painstakingly designed with a flat, wide frequency response that retains the tone and nuance of the original sound so that the essence of the performer's art is captured intact.
8 Powerful Processing/Effect Units and More
In addition to channel processors, TF consoles feature eight powerful processing/effect units. All the units feature the same type of SPX processors that have become standards in recording and live sound applications, offering 19 programs ranging from reverb and delay, through modulation effects such as flanger and chorus, to multiband compression. With two units of global FX the panel EDIT key opens the effect parameter display where detailed parameters can be adjusted instantly. The remaining six Ins FX are available in the AUX 9/10~19/20 master channels for additional signal control i.e. managing levels for in-ear monitoring, or controlling output delay for remotely located speakers using a delay. If more than two Global FX units are required, these Ins effects can be used as additional SEND/ RETURN effects by assigning them to the main stereo bus. The AUX 1~8 buses and main output channels include the same 4-band parametric EQ as provided on the input channels, plus 31-band Flex12 GEQ. Both types of EQ are invaluable for optimizing speaker response and eliminating feedback. These GEQ can also be assigned to the physical faders for more detailed fine tuning.
Applications that Work Seamlessly with the Console
Separate software applications that allow wireless mixing, personal monitor mixing or offline setup of digital live mixing consoles have become fairly common. The TF series goes a step further with three dedicated apps: TF Editor, TF StageMix and MonitorMix. These apps feature user interfaces which seamlessly extend the console on any device.
TF Editor Facilitates Offline Editing Plus Showtime Control
The TF Editor application for Windows and Mac computers provides a complete interface for offline editing and setup of TF consoles, with scene and preset management capabilities plus convenient keyboard entry of channel names. In addition to being able to set up the console offline at any convenient location and time, the TF Editor can be used online at the same time as the TF StageMix and MonitorMix applications. A Windows 8 PC with a multi-touch screen can use the same gestures as on the console itself. And if using Wi-Fi, a PC can function as a convenient remote-mixing device. Up to three devices running TF Editor or StageMix can be connected at the same time.
TF StageMix for Wireless Mixing
TF StageMix is an iPad application that provides wireless control of TF series consoles, allowing remote mixing from audience seating, in front of floor monitors, or any other listening position. It can also be used at the console as an extension of the console's own interface. The TF StageMix interface is designed for similar operation and flow to the console display, making it easier than ever to refine the mix from any location.
Personal Monitoring with MonitorMix
The MonitorMix application for the TF Series allows individual wireless AUX mixing from up to 10 iPhone, iPad or iPod touch devices simultaneously. Each performer can have convenient control over the AUX buses assigned to them, without having to deal with complex settings or parameters. They can also create personal Group settings for even easier adjustment: all levels on just one fader, for example. Since up to three devices running TF Editor or StageMix and up to 10 devices running MonitorMix can be connected at the same time, even large bands can have the personal control they need, reducing demands on the sound engineer.
Intuitive User Interface Optimized for Touch Panel Operation
In developing the TF series Yamaha engineers built from their existing base of acclaimed high-end mixer interfaces, adding intuitive control in an interface optimized for the type of touch panel control that has become a familiar feature in a wide range of applications. Allowing most operations to be carried out via the touch panel alone, the innovative TF series interface will quickly become second nature to a broad spectrum of users. Whether you have experience with Yamaha digital consoles, work with other digital consoles, operate analog consoles, or have never operated a mixer before, TF consoles will lead you to the desired results quickly and effortlessly through a smooth, efficient workflow. The availability of physical controls surrounding the touch panel further enhances control versatility and precision.
Touch Operation for Intimate Control
Refined for the smoothest possible operation via touch-panel control, the TF user interface offers a smooth workflow that can be an advantage in any mixing situation. The display content has been specifically designed for easy, direct accessibility, with a layout that promotes the most natural, efficient mixing. Touch panel operation is as easy as shaping the sound with your fingertips.
Touch & Turn Knob Offers Extra Control Precision
When you need extra precision for a fine EQ or other adjustment, the physical Touch & Turn knob is always available right beside the touch panel. There are also four User Defined Knobs below the panel that can be assigned to control compressor threshold, EQ gain, or other parameters you need fast, direct access to while mixing. The knobs always affect the currently selected channel.
Versatile Connectivity for a Wide Range of Applications
TF-RACK is equipped with 16 mic/line + 1 stereo line inputs and 16 ouputs on its compact body and also has a slot to mount optional expansion card NY64-D. Like other TF series, TF-RACK can easily add up to three Tio1608-D I/O racks with NY64-D card using the console's QUICK CONFIG mode.
16 mic/line + 1 stereo line inputs and 16 outputs on its compact body
TF-RACK is equipped with 16 microphone/ line inputs, 16 line outputs (8 XLR and 8 TRS), and USB connectivity for PC multi-channel Playback/Recording and so on. A TF-RACK can cover so many applications.
Plug In & Play Dante Stagebox Solution
The Tio1608-D is a Dante-equipped I/O rack with 16 microphone/ line inputs and 8 line outputs. Tio racks feature the same recallable D-PRE microphone preamplifiers as the TF series delivering extraordinarily natural and musical sound. In combination with TF series consoles, Tio racks can be connected using up to three units with a fast and easy setup. * Optional NY64-D Card is required. TF-RACK can create a versatile stage box system with up to 64 inputs and 40 outputs in conjunction with the Tio1608-D I/O and NY64-D, all mounted within a compact rack.
Outline
Mixing Capacity
Input Channels
40 (32 mono + 2 stereo + 2 return)
Aux Buses
20 (8 mono + 6 stereo)
Stereo Buses
1
Sub Buses
1
Input channel functions
8 DCA Groups
I/O
Inputs
16 mic/line (XLR/TRS combo) + 1 stereo line (RCA pin)
Outputs
16 (8 XLR + 8 TRS phone)
Expansion slots
1 (for NY64-D)
On-board processors
DSP
8 Effects + 10 GEQ
General specifications
Sampling frequency rate
Internal
48 kHz
Signal delay
Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz
Fader
Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders
Total harmonic distortion
Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω, INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)
Frequency response
+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT
Dynamic range
110 dB typ., DA Converter, 108 dB typ., INPUT to OMNI OUT, Input Gain=Min.
Hum & noise level
Equivalent input noise
–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)
Residual output noise
–85 dBu, ST master off (Measured with an A-Weight filter)
Crosstalk
–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.
Power requirements
100–240 V 50/60 Hz
Power consumption
85 W
Dimensions
W
480 mm (18-7/8 in)
H
132 mm (5-1/4 in)
D
409 mm (16-1/8 in)
Net weight
9.2 kg (20.3lb)
Accessories
Quick Guide, Power Cord NUENDO LIVE (DAW Software), Rubber stoppers(4)
Options
Audio Interface Card (NY-64D), Foot Switch (FC5)
Others
Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C
Recording/Playback
PC/Mac (USB2.0)
Recording 34 tracks, Playback 34 tracks
USB Storage Device
Recording 2 tracks (USB hard drive/ SSD), Playback 2 tracks (USB hard drive/ SSD/ thumb drive)
*Please note - USB thumb drives are not supported by TF for recording purposes.
Analog Input Characteristics
Input Terminals
GAIN
Load
ImpedanceFor Use With
NominalInput Level
Connector
Balanced /
Unbalanced
Sensitivity
Nominal
Max. before clip
INPUT1-16
+66dB
7.5kΩ
50-600Ω Mics
or 600Ω Lines-82dBu (61.6μV)
-62dBu (0.616mV)
-42dBu (6.16mV)
Combo Jack (XLR-3-31 type
or TRS phone)Balanced
-6dB
-10dBu (245mV)
+10dBu (2.45V)
+30dBu (24.5V)
ST IN
-
10kΩ
600Ω Lines
-30dBV (31.6μV)
-10dBV (316mV)
+10dBV (3.16V)
RCA Pin Jack
Unbalanced
Analog Output Characteristics
Output Terminals
Source
ImpedanceFor Use With
NominalOutput Level
Connector
Balanced /
Unbalanced
Nominal
Max. before clip
OMNI OUT 1-8
75Ω
600Ω Lines
+4dBu (1.23 V)
+24dBu (12.3 V)
XLR-3-32 type
Balanced
OMNI OUT 9-16
TRS Phone Jack
PHONES
100Ω
40Ω Phones
3mW
75mW
Stereo Phone Jack (TRS)
Unbalanced
Digital Input/Output Specifications
Terminals
Format
Data Length
Audio
Connector
USB (TO HOST)
USB
24bit
34ch input / 34ch output, PCM
USB (B type)
iPad
USB
-
Playback: MP3 or WAV file data / Record: WAV file data
USB (A type)
Control I/O Specifications
Terminals
Format
Level
Connector
NETWORK
IEEE802.3
10BASE-T/100Base-TX
RJ-45
FOOT SW
-
-
TS Phone
(1) Yamaha TF-RACK Rack-Mountable TF Series Digital Mixer
(1) Power cord
(1) Quick Guide
(4) Rubber feet
(1) Nuendo Live (DAW software)
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